Laura Laune's return to the stage with her new show marks a highly anticipated comeback after her first sold-out tour. Known as the "angel of black humor," Laune's latest performance promises her signature darkness, powerful writing, and an unrestrained, trashy universe. This new show continues her well-established reputation for pushing boundaries with finesse and second-degree humor. The Belgian comedian offers a deeply personal and bold performance, sharing her struggles and experiences. Shaped by her Asperger's, autism, her unique style allows her to tackle disturbing subjects authentically and fearlessly.
Originally from Mons, Belgium, Laura Laune is a comedian renowned for her black humor and her role as a whistleblower. After graduating in architecture from the University of Brussels in 2009, she transitioned to a stage career in 2012, starting in theater before moving on to one-woman shows. Her first show, "The Devil is a Good Little Girl," achieved great success, with over 500 performances throughout the Francophonie between 2015 and 2021. In 2017, she won the 12th season of "France's Got Talent." She concluded the final performances of her show at the most prestigious performance hall (Olympia, Folies Bergère...) and large capacity theater (Zenith) where she was on stage for
5000 spectators. At the same time, she wrote her new show, "Glory Alleluia," which has been a huge success in France since its launch (top 3 best sellers). Meanwhile, preparing her Zenith tour (3000 + gauge) "Glory Alleluia" will premiere
in the USA in November 2024.
Le Figaro
Adepte de l’humour noir, elle touche à tout. De l’islamisme à l’homophobie en passant par l’éducation, la maternité et la maltraitance.
Pour ce premier show, elle reçoit la reconnaissance du public et des professionnels. Le spectacle a été primé dix-sept fois en Festival d’humour et a remporté le Montreux Comedy Contest.
Télérama
Vous lui donneriez le Bon Dieu sans confession. Vous auriez tort !Car si la blonde Laura Laune semble être l’image même de l’angélisme, dans son spectacle, cette trentenaire belge explose toutes les limites. L’hilarité naissant du décalage entre son apparente innocence et un humour diablement cyniqueLe
Le Parisien
Jouant à merveille du décalage entre son aspect et les «monstruosités» qu’elle assène à son public, la jeune Belge s’autorise des virées vers des terrains glissants (le racisme, l’avortement, les enfants abandonnés, la Manif pour tous…) en gardant toujours cette fausse candeur hilarante.
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.